The first meetinghouse was built two years later. Sellwood was a highly respected doctor specializing in surgery and maternity cases, and a workaholic.First Parish Church in Wayland was founded by a group of colonists who settled near the east bank of the Sudbury River in 1638. Fitzsimons and published in 2013 in The Bee (Pamplin Media Group in Portland), Dr. According to an article written by Eileen G. In 1916 the Estey Pipe Organ Opus 1429 was installed in the Portland home of Dr.
Viewed today from the old Boston Post Road, the meetinghouse, with its long row of carriage sheds to the east, looks much as it did in 1814. Here are a couple of shots of the stop keys: And here is a The present 1814 meetinghouse, the fifth in the church's history, was modeled after designs of Federal period Boston architect Asher Benjamin. The owner of the organ recently passed away and the family is clearing out the house. This six rank Estey organ from 1907 needs to be relocated as soon as possible.
From 65, its minister was Edmund Hamilton Sears, a prominent writer and social reformer. The church embraced the Unitarian doctrine in 1825. The churches former organs, a George Hutchings tracker of 1896 and a 1917 Estey electric action instrument were combined on various. Wesley United Methodist was formed in 1958 when Baker Memorial Methodist and First Methodist Churches merged and built a new building. 2001 Wesley United Methodist Church.
II/10r Completed: June 1916. 905 Boulevard Masonic Temple, Chicago, Ill. Allowance for Estey reed organ).
Estey Organ Opus List Manual Estey Organ
Hook, Opus 402, was installed in 1866.The third organ was a second-hand 2 manual Estey organ, Opus 1082, originally built in 1913 for the Bethany Baptist Church in Wilmington, Delaware. The second organ, a one manual, nine stop E. The first organ, "a small second-hand organ with false wooden pipes in front and having three stops," was bought by subscription in 1831.
The only practical organ placement with such a floor plan was in the center. All of the organs since 1866 were guilty of this cover-up, due to the gallery's semi-elliptical rear wall. Many church members expressed a wish that the new organ not obscure the Palladian window on the rear wall of the gallery. It served the church for 51 years, playing its last service in November 2013, before being sold and shipped to Colorado.In anticipation of the meetinghouse's 200th birthday in 2014, the church laid plans to make all their buildings ADA compliant, construct a new wing to connect the meetinghouse with the parish house behind it, and commission a new organ for the sanctuary. This instrument had a functional Modernist case, a Neo-Baroque stoplist, bright voicing and no expressive division.
Appleton's cases featured a tall center tower with shorter outer towers. For Opus 118 we drew inspiration from the elegant cases of Thomas Appleton, Boston's renowned Federal Period organbuilder. Andover's design, which split the organ into two halves, was the only one which accommodated, rather than covered, the Palladian window.At Andover, we take great care to design the look of each instrument to complement the architecture of its surroundings.
The Pedal Bourdon and Principal ranks are divided diatonically between the two cases. There is ample room at the sides of the platform for instrumentalists and a grand piano.The Great division is in the left case and the Swell in the right. This case arrangement, and the raised platform we built to cover the tracker runs, creates a central seating area for over twenty choir members and envelops them with the sound of the organ. Thus, the outer front corners of the tall towers are three feet back from the plane of the outer corners of the short towers. Because of the semi-elliptical rear wall, the cases are angled to conform to the depth of the wall behind them. To split this design we used two tall central towers to frame the center window.Opus 118 is housed in two mirror-image, white-painted cases which flank the Palladian window.
The stop action is electric, with a 10-level Solid State Organ Systems combination action.Opus 118 was unveiled at an open house at the Andover shop on February 8, 2014, attended by over three hundred people. The two divided Pedal ranks are on electro-pneumatic offset chests. The center-pivoted manual keys have bone-covered naturals and ebony sharps.The manual key action is mechanical, as are the couplers and the swell mechanism.
The church's decision to replace a stock-model organ with a new instrument, custom designed and voiced for its particular space, is a testimony of First Parish's ongoing dedication to fine church music and its continued appreciation of the pipe organ repertoire.Those who worked on Andover opus 118 were: were Ryan Bartosiewicz, Matthew Bellocchio, Anne Doré, Michael Eaton (designer), Donald Glover, Andrew Hagberg, Al Hosman, Lisa Lucius, Benjamin Mague (Project Manager), Tony Miscio, Fay Morlock, John Morlock, Donald Olson (contract negotiations), Jonathan Ross, Craig Seaman, David Zarges and Jay Zoller (initial concept drawing. 22/4) for soloists, chorus, organ and orchestra, conducted by First Parish Music Director Pauline Oliver.All who have seen and heard Andover Opus 118 agree that it is a very appropriate musical and architectural addition to the 1814 meetinghouse. On Palm Sunday, Apthe instrument was premiered to the congregation in a special morning service which featured a performance of Haydn's Great Organ Mass No.5 in E flat major (H.
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